Artistic Leadership

Artistic Leadership

Paul O'Dette, Artistic Co-Director

Paul O’Dette has been described as “the clearest case of genius ever to touch his instrument” (Toronto Globe and Mail). He appears regularly at major festivals throughout the world performing lute recitals and in chamber music programs with leading early music colleagues. Mr. O’Dette has made more than 140 recordings, winning two Grammy Awards and receiving seven Grammy nominations and numerous international record awards. The Complete Lute Music of John Dowland (a 5-CD set for harmonia mundi usa) was awarded the prestigious Diapason d’Or de l’Année, and was named “Best Solo Lute Recording of Dowland” by BBC Radio 3. The Bachelar’s Delight: Lute Music of Daniel Bacheler was nominated for a Grammy as Best Solo Instrumental Recording in 2006.

Stephen Stubbs, Boston Early Music Festival Artistic Co-Director

Stephen Stubbs, Artistic Co-Director

Stephen Stubbs, who won the Grammy Award as conductor for Best Opera Recording in 2015, spent a thirty-year career in Europe. He returned to his native Seattle in 2006 as one of the world’s most respected lutenists, conductors, and Baroque opera specialists. In 2007 Stephen established his new production company, Pacific MusicWorks (PMW), based in Seattle, reflecting his lifelong interest in both early music and contemporary performance. The company’s inaugural presentation was a production of South African artist William Kentridge’s acclaimed multimedia staging of Claudio Monteverdi’s opera The Return of Ulysses in a co-production with the San Francisco Museum of Modern Art. PMW’s performances of the Monteverdi Vespers were described in the press as “utterly thrilling” and “of a quality you are unlikely to encounter anywhere else in the world.”

Gilbert Blin, Opera Director

Gilbert Blin graduated from the Paris Sorbonne with a Master’s degree focusing on Rameau’s operas and their relation with the stage, an interest that he has since broadened to encompass French opera and its relation to Baroque theater, his fields of research as historian, stage director, and set and costume designer. His début productions include Massenet’s Werther and Delibes’s Lakmé for Paris Opéra-Comique, and Meyerbeer’s Robert le Diable for Prague State Opera. Since his production of Gluck’s Orfeo ed Euridice for the Drottningholm Theatre in Sweden in 1998, Mr. Blin has established himself as a sought-after stage director and designer for the early repertoire: he directed Vivaldi’s Orlando Furioso for the Prague State Opera, and staged reconstructions of Vivaldi’s Rosmira fedele and Handel’s Teseo for Opéra de Nice, and directed Lully’s Thésée and Lully’s Psyché for the Boston Early Music Festival.

Robert Mealy, Orchestra Director

Robert Mealy is one of America’s most prominent Baroque violinists. He is concertmaster and Orchestra Director for the Boston Early Music Festival, where he has led this distinguished ensemble in festival productions, international tours, and recordings of a wide variety of repertoire for over a decade. While still an undergraduate at Harvard College, he was asked to join Tafelmusik. Since then, he has recorded over 80 CDs of early music on most major labels. He has appeared at international festivals from Berkeley to Bergen, and from Melbourne to Moscow. A devoted chamber musician, he co-directs Quicksilver, whose recordings and festival appearances across America have received much critical acclaim. He has led Baroque ensembles for the Mark Morris Dance Company, and accompanied Renée Fleming on the David Letterman Show.

Melinda Sullivan, Lucy Graham Dance Director

Melinda Sullivan is the Lucy Graham Director of Dance at the Boston Early Music Festival. She danced in her first BEMF production—Henry Purcell’s King Arthur—in 1995. She returned to dance and assist the late choreographer Lucy Graham in all subsequent BEMF opera productions over the next twelve years. In 2008, Sullivan assumed the role of BEMF Ballet Mistress, training dancers and singers in Baroque and Renaissance style and technique. Her first choreography for BEMF was Dido and Aeneas in 2010, following a featured role as the Silent Mover in the 2009 BEMF production of Handel’s Acis and Galatea. Since then she has choreographed extensively for BEMF, including productions and revivals of Charpentier’s La Couronne de Fleurs and La Descente d’Orphée aux Enfers, Monteverdi’s Orfeo, and Pergolesi’s La serva padrona and Livietta e Tracollo.