Press Release

FOR IMMEDIATE RELEASE:

BEMF presents the legendary Jordi Savall and Hespèrion XXI—April 13 in Boston, MA

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ARTISTS: 

Hespèrion XXI
Jordi Savall, Director

Xavier Díaz-Latorre, theorbo & guitar; Andrew Lawrence-King, Baroque harp; Philippe Pierlot, treble and bass viol; Xavier Puertas, violone; David Mayoral, percussion; Jordi Savall, Director & treble viols

LOCATION: 

Sunday, April 13, 2025 at 8pm ET
New England Conservatory’s Jordan Hall, Boston, MA

VIRTUAL PREMIERE: Sunday, April 27, 2025 at 8pm ET
Available to watch until May 11, 2025 at 11:59pm ET

PROGRAM:

Music of Fire & Love: An eclectic program of folías, variations, and
improvisations

Music by Guerrero, Zéspedes, Hume, Scheidt, Sanz, Johnson, Brade, Couperin, Ribayaz, Murcia, Tomkins, Arauxo, Valente, and others

TICKETS:  Tickets are priced at $130, $95, $65, $50, and $30 for the in-person performance, and $25 for the virtual event. All in-person tickets include a complimentary ticket for the virtual performance. To purchase tickets, visit BEMF.org or call the BEMF Box Office at 617-661-1812. Discounts are available for students and seniors.

ABOUT THE PROGRAM
One of the most versatile musical personalities of his generation, Jordi Savall has thrilled millions of Early Music lovers around the world for over half a century. A tireless researcher and an eternally engaging performer, he made his Boston début with BEMF in 1989 and has remained a favorite and a friend ever since. Join him and his legendary ensemble Hespèrion XXI for a stunning journey through Baroque music from England, Peru, Mexico, Spain, and more.

ASSOCIATED EVENTS
A pre-concert video featuring Jordi Savall will be shared on BEMF.org and social media the week of April 7, 2025.

ABOUT THE ARTISTS
Jordi Savall is one of the most versatile musical personalities of his generation. For more than 50 years, he has rescued musical gems from the obscurity of neglect and oblivion and given them back for all to enjoy. A tireless researcher into early music, he interprets and performs the repertory both as a gambist and a conductor. His activities as a concert performer, teacher, researcher, and creator of new musical and cultural projects have made him a leading figure in the reappraisal of historical music. Together with Montserrat Figueras, he founded the ensembles Hespèrion XXI (1974), La Capella Reial de Catalunya (1987), and Le Concert des Nations (1989), with whom he explores and creates a world of emotion and beauty shared with millions of early music enthusiasts around the world. Savall has recorded and released more than 230 albums covering the Medieval, Renaissance, Baroque, and Classical music repertories, with a special focus on the Hispanic and Mediterranean musical heritage, receiving many awards and distinctions such as the Midem Classical Award, the International Classical Music Award, and a GRAMMY Award. His concert programs have made music an instrument of mediation to achieve understanding and peace between different and sometimes warring peoples and cultures. Accordingly, guest artists appearing with his ensembles include Arab, Israeli, Turkish, Greek, Armenian, Afghan, Mexican, and North American musicians. In 2008, Jordi Savall was appointed European Union Ambassador for intercultural dialogue and, together with Montserrat Figueras, was named “Artist for Peace” under the UNESCO Goodwill Ambassadors program.

With a repertoire that encompasses the period between the 10th and 18th  centuries, Hespèrion XXI searches continuously for new points of union between the East and West, with a clear desire for integration and for the recovery of international musical heritage, especially that of the Mediterranean basin and with links to the New World. In 1974 Jordi Savall and Montserrat Figueras, together with Lorenzo Alpert and Hopkinson Smith, founded the ancient music ensemble Hespèrion XX in Basel as a way of recovering and disseminating the rich and fascinating musical repertoire prior to the 19th century on the basis of historical criteria and the use of original instruments. The name Hespèrion means “an inhabitant of Hesperia”, which in ancient Greek referred to the two most westerly peninsulas in Europe: the Iberian and the Italian. It was also the name given to the planet Venus as it appeared in the west. At the turn of the 21st century Hespèrion XX became known as Hespèrion XXI. Today Hespèrion XXI is central to the understanding of the music of the period between the Middle Ages and the Baroque. Their labors to recover works, scores, instruments, and unpublished documents have a double and incalculable value. On one hand, their rigorous research provides new information and understanding about the historical knowledge of the period, and on the other hand, the exquisite performances enable people to freely enjoy the aesthetic and spiritual delicacy of the works of this period.

ABOUT THE BOSTON EARLY MUSIC FESTIVAL
Recognized as the preeminent early music presenter and Baroque opera producer in North America, the Boston Early Music Festival (BEMF) has been credited with securing Boston’s reputation as “America’s early music capital” (The Boston Globe). Founded in 1981, BEMF offers diverse programs and activities, including one GRAMMY Award–winning and five GRAMMY Award–nominated opera recordings, an annual concert series that brings early music’s brightest stars to the Boston and New York concert stages, and a biennial week-long Festival and Exhibition recognized as the “world’s leading festival of early music” (The Times, London). The 23rd Boston Early Music Festival—themed Love & Power—will take place from June 8 to 15, 2025, and will feature a fully staged production of Reinhard Keiser’s Octavia. BEMF’s Artistic Leadership includes Artistic Directors Paul O’Dette and Stephen Stubbs, Opera Director Gilbert Blin, Orchestra Director Robert Mealy, and Dance Director Marie-Nathalie Lacoursière.

The Boston Early Music Festival is supported by the Massachusetts Cultural Council, National Endowment for the Arts, Constellation Charitable Foundation, and WCRB Classical Radio Boston, as well as a number of generous foundations and individuals from around the world.

For more information, please contact Kathleen Fay at kathy@bemf.org.

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